David Moldawer

I love it when a plan comes together. —"Hannibal" Smith, The A-Team Sequencing is an essential skill and one of the unsung benefits of real-world experience. Take cooking: If I'm following a recipe, I have to understand how the whole process works before starting at "

Earlier, I shared my journey learning Transcendental Meditation (TM) but left out a surprising tip: “Don’t set a timer,” my instructor advised. “It’ll snap you out of meditation. When you think twenty minutes have passed, check the clock. If you’re early, close your eyes and keep going.

When you're writing about a topic that fascinates you, it's easy—too easy—to zero in on the most interesting (to you) bits. Rabbit holes are fine for the casual newsletter or social media post, but in most cases, we owe our readers a comprehensive look

Since I planned to discuss a recent documentary about Brian Eno, I began writing this by drawing an Oblique Strategies card. Lo and behold, I pulled the most famous one of all: I shuffled pretty thoroughly—what are the odds? This is the card everyone mentions when they explain these

"Most of the other guitar solos that you hear performed on stage have been practiced over and over and over again," Frank Zappa complained to an interviewer. "They go out there, and they play the same one every night, and it's really just spotless."

Getting started is the hard part. When I sit down to work, I'm uncomfortable. Itchy, antsy, easily distracted. I know why, too. For some reason, I'm convinced I need to know what words I'm going to write before I can write any words. Convinced,

💡The inimitable Dave Crenshaw had me on his podcast recently. Our conversation touched on finding an audience, focusing on what matters, and learning from the competition. Worth a listen: Apple Podcasts, Spotify. A few months ago, I stumbled on Professor Robert Boice's wonderful tips for writers on the

The fin makes the film. That's because a good, cohesive story works like a legal argument. Even if you marshal a terrific defense for your client in Acts One and Two, whiff the closing statement, and an innocent person is going to prison. No spoilers here, but David

Last week, I wrote about how I pace the reader's experience using a standard manuscript page format. However, I forgot to include my inspiration for that essay. In an interview about his process, director Christopher Nolan discussed the pacing problem in the context of screenwriting: I try to

You ever read a new e-book for what feels like a good stretch and then get antsy and tap to see where you are? And that little progress indicator is all the way left, zero daylight between where you are and the beginning of the book? And you're,